{"id":5893,"date":"2025-01-21T09:43:35","date_gmt":"2025-01-21T09:43:35","guid":{"rendered":"https:\/\/congresodeescritores1937.dival.es\/el-congres-i-el-cinema\/"},"modified":"2025-06-14T09:47:27","modified_gmt":"2025-06-14T09:47:27","slug":"el-congres-i-el-cinema","status":"publish","type":"page","link":"https:\/\/congresodeescritores1937.dival.es\/vlca\/el-congres-i-el-cinema\/","title":{"rendered":"El congr\u00e9s i el cinema"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” background_image=”https:\/\/congresodeescritores1937.dival.es\/wp-content\/uploads\/2025\/01\/cine-header-oscurecido.jpg” global_colors_info=”{}”][et_pb_fullwidth_header title=”EL CONGR\u00c9S I EL CINEMA” subhead=”El cinema com a eina propagand\u00edstica” header_fullscreen=”on” background_overlay_color=”RGBA(255,255,255,0)” content_orientation=”bottom” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Ubuntu Condensed|700|||||||” title_text_color=”#FFFFFF” title_font_size=”50px” subhead_font=”|300|||||||” subhead_text_align=”left” subhead_font_size=”20px” background_enable_color=”off” global_colors_info=”{}”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Dos reportatges fonamentals” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Ubuntu Condensed|700|||||||” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”|300|||||||” global_colors_info=”{}”]<\/p>\n

Del II Congr\u00e9s Internacional d\u2019Escriptors per a la Defensa de la Cultura es conserven dos reportatges fonamentals. S\u00f3n excel\u00b7lents registres documentals del congr\u00e9s i, d\u2019algunes persones delegades, les \u00faniques imatges en moviment conegudes.<\/h4>\n

[\/et_pb_text][et_pb_heading title=”Julio Bris” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Ubuntu Condensed|700|||||||” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”|300|||||||” global_colors_info=”{}”]<\/p>\n

L\u2019espanyol Julio Bris va fer un documental de nou minuts de duraci\u00f3 titulat El congreso internacional de los escritores<\/em>, produ\u00eft per Film Popular Val\u00e8ncia.<\/h4>\n

[\/et_pb_text][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=TVuds5cKzcE&feature=youtu.be” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”#000000″ global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.27.4″ _module_preset=”default” border_radii=”on|0%|0%|0%|0%” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/congresodeescritores1937.dival.es\/wp-content\/uploads\/2025\/02\/Julio-Bris-c.jpg” title_text=”Julio-Bris-c” _builder_version=”4.27.4″ _module_preset=”default” border_radii=”on|100%|100%|100%|100%” border_width_all=”3px” border_color_all=”#FFFFFF” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Julio Bris” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Ubuntu Condensed|700|||||||” title_text_color=”#FFFFFF” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n

Madrid, 31 de gener de 1906 <\/span><\/h5>\n
Camp de concentraci\u00f3 de Gusen (\u00c0ustria), 20 de novembre de 1941<\/span><\/h5>\n

Operador cinematogr\u00e0fic, fot\u00f2graf i director de cinema lligat a la productora Film Popular Va rec\u00f3rrer els fronts de guerra amb el noticiari Espa\u00f1a al d\u00eda <\/em>(Laya Films\/Film Popular). Bris va ser membre de l\u2019Alian\u00e7a d\u2019Intel\u00b7lectuals Antifeixistes per a la Defensa de la Cultura, organitzaci\u00f3 per a la qual va fer el seu documental sobre el II CIEDC. Despr\u00e9s de la caiguda de Barcelona va passar a Fran\u00e7a, on el van capturar els nazis i el van internar en diferents camps de concentraci\u00f3 fins a la seua defunci\u00f3.<\/span><\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Roman L. Karmen” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Ubuntu Condensed|700|||||||” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”|300|||||||” global_colors_info=”{}”]<\/p>\n

El conegut cineasta sovi\u00e8tic Roman Karmen tamb\u00e9 va gravar el congr\u00e9s en un reportatge d\u2019uns tres minuts de duraci\u00f3, que va apar\u00e9ixer en el noticiari sovi\u00e8tic Sobre els successos d\u2019Espanya<\/em> (K sobitiiam v Ispanii), cap\u00edtol 20.<\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=j_Vx8yP5Lrw” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”La foto del segon 33″ _builder_version=”4.27.4″ _module_preset=”default” title_font=”Ubuntu Condensed|700|||||||” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”|300|||||||” global_colors_info=”{}”]<\/p>\n

Roman Karmen va estar present en la sessi\u00f3 inaugural del congr\u00e9s en l\u2019hemicicle valenci\u00e0, on va gravar diferents intel\u00b7lectuals. Entre els quals, l\u2019escriptor franc\u00e9s Andr\u00e9 Malraux, que apareix en el reportatge sovi\u00e8tic en el segon 33. Just en este moment, el fot\u00f2graf Walter Reuter va captar l\u2019escena i va immortalitzar el cineasta sovi\u00e8tic i l\u2019intel\u00b7lectual franc\u00e9s.<\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.4″ _module_preset=”default” border_color_all=”#000000″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/congresodeescritores1937.dival.es\/wp-content\/uploads\/2025\/02\/FGFZ_032_1200.jpg” title_text=”El cineasta sovi\u00e8tic Roman Karmen grava Andr\u00e9 Malraux. Sal\u00f3 de plens de l\u2019ajuntament de Val\u00e8ncia, mat\u00ed del diumenge 4 de juliol de 1937″ _builder_version=”4.27.4″ _module_preset=”default” border_width_all=”1px” border_color_all=”#000000″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/congresodeescritores1937.dival.es\/wp-content\/uploads\/2025\/01\/Fotograma-de-Andre-Malraux-filmado-por-Roman-Lazarevich-Karmen.jpg” title_text=”Fotograma-de-*Andre-*Malraux-filmat-per-Roman-*Lazarevich-*Karmen” align=”center” force_fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” border_width_all=”1px” border_color_all=”#000000″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”#000000″ global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Roman Lazarevich Karmen” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Ubuntu Condensed|700|||||||” title_text_color=”#FFFFFF” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n

30 de novembre de 1906, Odessa – 28 d\u2019abril de 1978, Moscou<\/span><\/h5>\n

Karmen va ser un director de cinema, director de fotografia de guerra, documentalista, periodista, guionista, pedagog i publicista sovi\u00e8tic. En la seua vida professional va documentar la Guerra Civil Espanyola, les batalles de Moscou i Leningrad en la Segona Guerra Mundial, la Primera Guerra de la Indoxina i l\u2019ascens del comunisme al sud-est asi\u00e0tic. Va ser amic personal de l\u00edders comunistes com Ho Chi Minh, del Vietnam; Fidel Castro, de Cuba, i el president socialista de Xile, Salvador Allende.<\/span><\/h4>\n

 [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”5608,5607,5606″ fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.27.4″ _module_preset=”default” border_color_all=”RGBA(255,255,255,0)” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_icon font_icon=”||divi||400″ icon_color=”#000000″ icon_width=”50px” url=”https:\/\/congresodeescritores1937.dival.es\/vlca\/el-congres-i-la-guerra\/” _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_icon][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”El congr\u00e9s i la guerra” url=”https:\/\/congresodeescritores1937.dival.es\/vlca\/el-congres-i-la-guerra\/” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Ubuntu Condensed|700|||||||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_heading][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”El congr\u00e9s i el teatre” url=”https:\/\/congresodeescritores1937.dival.es\/vlca\/el-congres-i-el-teatre\/” _builder_version=”4.27.4″ _module_preset=”default” title_font=”Ubuntu Condensed|700|||||||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_heading][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_icon font_icon=”||divi||400″ icon_color=”#000000″ icon_width=”50px” url=”https:\/\/congresodeescritores1937.dival.es\/vlca\/el-congres-i-el-teatre\/” _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_icon][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Del II Congr\u00e9s Internacional d\u2019Escriptors per a la Defensa de la Cultura es conserven dos reportatges fonamentals. S\u00f3n excel\u00b7lents registres documentals del congr\u00e9s i, d\u2019algunes persones delegades, les \u00faniques imatges en moviment conegudes.L\u2019espanyol Julio Bris va fer un documental de nou minuts de duraci\u00f3 titulat El congreso internacional de los escritores, produ\u00eft per Film Popular […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-5893","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/congresodeescritores1937.dival.es\/vlca\/wp-json\/wp\/v2\/pages\/5893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/congresodeescritores1937.dival.es\/vlca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/congresodeescritores1937.dival.es\/vlca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/congresodeescritores1937.dival.es\/vlca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/congresodeescritores1937.dival.es\/vlca\/wp-json\/wp\/v2\/comments?post=5893"}],"version-history":[{"count":4,"href":"https:\/\/congresodeescritores1937.dival.es\/vlca\/wp-json\/wp\/v2\/pages\/5893\/revisions"}],"predecessor-version":[{"id":6244,"href":"https:\/\/congresodeescritores1937.dival.es\/vlca\/wp-json\/wp\/v2\/pages\/5893\/revisions\/6244"}],"wp:attachment":[{"href":"https:\/\/congresodeescritores1937.dival.es\/vlca\/wp-json\/wp\/v2\/media?parent=5893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}